{"id":8,"date":"2025-08-07T12:51:08","date_gmt":"2025-08-07T12:51:08","guid":{"rendered":"https:\/\/maison-albert-andre.com\/?page_id=8"},"modified":"2025-08-27T09:04:08","modified_gmt":"2025-08-27T09:04:08","slug":"histoire","status":"publish","type":"page","link":"https:\/\/www.maison-albert-andre.com\/en\/histoire\/","title":{"rendered":"History"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Step into Post-Impressionism<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Albert Andr\u00e9 (1869\u20131954)<\/span><\/strong><\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Born in Lyon into a family of textile merchants, Albert Andr\u00e9 studied at the School of Fine Arts in his hometown before joining Fernand Cormon\u2019s Parisian studio in 1890. There he met Louis Valtat, Georges d\u2019Espagnat, and above all Renoir, who would become a close friend and introduce him to the art dealer Durand-Ruel.<\/p>

From 1895 onward, he exhibited at the Salon des Ind\u00e9pendants and the Salon d\u2019Automne, while also taking part in international exhibitions. His style, rooted in Post-Impressionism, is characterized by a supple brushstroke, gentle harmonies, and a diffused light, applied to landscapes of the South, interior scenes, portraits, and still lifes.<\/p>

In 1917, Andr\u00e9 was appointed curator of the Bagnols-sur-C\u00e8ze Museum, a position he held until his death. There, he expanded the collection with works by Bonnard, Vuillard, Matisse, and Marquet, making the museum a leading center of modern art in the provinces.<\/p>

Settled in the Gard, he remained faithful to Provence and the Rh\u00f4ne Valley as sources of inspiration. He died in 1954, leaving behind a prolific body of work imbued with gentleness and humanity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

History of the House<\/strong><\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The house in Laudun-l\u2019Ardoise is the Proven\u00e7al residence where Albert Andr\u00e9 and his wife settled after maintaining a home and a studio in Paris.\u00a0<\/span><\/p>

Apr\u00e8s sa mort, sa fille adoptive Jacqueline Besson (li\u00e9e au critique d\u2019art Georges Besson) joua un r\u00f4le important dans la transmission de son h\u00e9ritage artistique : des \u0153uvres et des donations ont notamment enrichi des mus\u00e9es r\u00e9gionaux, contribuant \u00e0 faire du mus\u00e9e de Bagnols-sur-C\u00e8ze (Mus\u00e9e Albert-Andr\u00e9) un centre notable du patrimoine moderne en province.<\/span><\/p>

The house itself, with its \u201curban-like appearance\u201d and recognizable presence in the landscape of Laudun, has been the subject of public openings and recent commemorative events (\u201cIn the Time of Albert Andr\u00e9\u201d festivities, a visual landmark trail through the town retracing his viewpoints), demonstrating that it has become a part of the local and touristic heritage.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Post-Impressionism<\/span><\/strong><\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Post-Impressionism refers to an artistic movement that emerged at the end of the 19th century, both as a continuation of and a reaction to Impressionism. While the Impressionists sought to capture the fleeting variations of light and immediate sensations, the Post-Impressionist artists went further: they retained the freedom of brushwork and the richness of color, but added a more personal exploration, a more subjective expression, and often a symbolic or emotional dimension.<\/span><\/p>

Among the major figures of Post-Impressionism are Vincent Van Gogh, Paul C\u00e9zanne, Paul Gauguin, and Georges Seurat. Each developed a unique style: Seurat explored Pointillism, C\u00e9zanne laid the foundations of Cubism through his way of constructing form, while Van Gogh and Gauguin paved the way for Expressionism through the strength of their palette and inner vision.<\/span><\/p>

Post-Impressionism thus represents a decisive step toward modern art: it freed painting from the mere imitation of nature to affirm the artist\u2019s creative power and the subjectivity of vision.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Posez un pied dans le post-impressionnisme Albert Andr\u00e9 (1869\u20131954) N\u00e9 \u00e0 Lyon dans une famille de commer\u00e7ants en textile, Albert Andr\u00e9 se forme \u00e0 l\u2019\u00c9cole des beaux-arts de sa ville avant de rejoindre, en 1890, l\u2019atelier parisien de Fernand Cormon. Il y rencontre Louis Valtat, Georges d\u2019Espagnat et surtout Renoir, qui deviendra un ami proche […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.maison-albert-andre.com\/en\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maison-albert-andre.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.maison-albert-andre.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.maison-albert-andre.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maison-albert-andre.com\/en\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":0,"href":"https:\/\/www.maison-albert-andre.com\/en\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.maison-albert-andre.com\/en\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}